TODAY -
✦

Dilip Oinam the artist I know

Jyaneswar Laishram *

Flight of childhood-I : Painting by Dilip Oinam
Flight of childhood-I : Painting by Dilip Oinam
Download a higher resolution picture here



Being a neighbour for more than a decade and brought up together playing cricket on the same old playgrounds around Bishenpur town in Manipur, I know Dilip Oinam a bit more than what his normal friends do. He spent his boyhood in the town where his mother worked in a hospital and his father used to teach English in a school located in the nearby town of Nambol where both of them (his parents) were hailed from. Today, Dilip stays in New Delhi with his wife and the rest of the family are settled in Imphal.

I still remember him as a young boy who rather fond of art since his younger years. I often noticed a touch of 'fine art' in him when he developed interest in painting during his early teens. He started painting landscapes while all his other painter friends in the town were busy stroking their brushes on portraits of movie actors, patriots and other celebrities. His works captured a true essence of the natural scenes which he portrayed without a glitch.

When Dilip first came to Delhi in 2001 for further study at Delhi College of Art after a brief BFA at Indira Kala Sangeet Vishwa Vidyalaya in Kheragarh (Chattishgarh), he gave me a painting of a misty mountain in which he gracefully captured a panorama of semi-silhouetted Laimaton Hill hiding its top in a thick blanket of cotton cloud erupted on an evening in Bishenpur after a mid-summer shower.

Laimaton Hill standing massive in the western horizon at a distance of around a couple of kilometers from our Kuthi Leikai colony enhances Bishenpur's landscape to inspire the budding artists like Dilip for some nature aquarelles. Unfortunately I have lost the painting of Laimaton Hill. I don't know whether it was stolen or misplaced by moving men when we shifted to a new house in Delhi in 2006. But the hunt is still on to trace the lost magnum opus!

Wherever he goes
Bishnepur, Imphal, Kheragarh, New Delhi… Dilip has been to places where the wind of his art follows. Overall themes and narratives in his works keep changing wherever he roams from one place to another. His romancing the hilly terrains of Bishenpur blew temporarily out of his easel when he stayed for one and a half years in Kheragarh. Subjects of his paintings during his short Kheragarh days eventually revolved around lonely railway tracks, village hovels, poor farmers he frequently encountered while strolling down the secluded hot and dry plain of rural north India. But he often mentioned about hidden charm which he caught and bought out of the heat and dust of the region.

A big turn in Dilip's works took place when he started exhibiting at some leading art galleries around Delhi after his BFA at Delhi College of Art, New Delhi. His acrylics on canvas began to capture magical impressions revolving around unique characters and objects related to folklores and mythologies. His new angles pulled attentions of a horde of collectors rushing from different overseas countries like the USA, Australia, Egypt, France, South Korea, just to tick a few.

All leading art galleries and popular venues around Delhi are where Dilip's works are often found on display. And the latest showcase will be at 'Strokes From The East'— a three-day exhibition by The Kolor Box— unveiling on June 28 at Convention Foyer of India Habitat Centre, New Delhi.

Flight of childhood-I : Painting by Dilip Oinam
Flight of childhood-I : Painting by Dilip Oinam
Download a higher resolution picture here



Unique elements
Many critics say Dilip's high dramas and vibrant strokes of acrylics on canvas effectively do justice to his themes and narratives. Earthy, bold reds and coppery browns lending shapes and forms to iconic figures, whether it could be a child or a woman solidly holding grounds, are the most common portrayals seen in most of Dilip's works.

Another interesting point which many appreciators point out in Dilip's works is the inhibition of a whole complex of meanings like multi-layered and painstaking treatments which further enhance the overall elements of drama in his acrylics on canvas. Such fuss is considerably the style which he creates so originally in most of his works.

If you want to catch him 'live', just drop in at Convention Foyer of India Habitat Centre, New Delhi where The Kolor Box will flaunt the artist's newest stokes at Strokes From The East from June 28-30, 2013!


* Jyaneswar Laishram wrote this article for e-pao.net
The writer is editor of a New Delhi-based magazine and can be contacted at ozzyjane(at)gmail(dot)com
This article was posted on June 25, 2013.



* Comments posted by users in this discussion thread and other parts of this site are opinions of the individuals posting them (whose user ID is displayed alongside) and not the views of e-pao.net. We strongly recommend that users exercise responsibility, sensitivity and caution over language while writing your opinions which will be seen and read by other users. Please read a complete Guideline on using comments on this website.




LATEST IN E-PAO.NET
  • Langban Tha Katchaba @Haying #2 : Gallery
  • Violence in Manipur 2023-2026 : Timeline
  • Prof Kamal Mitra Chenoy : Obituary
  • Tale of Ahu, Alang & Apapang: Amur Falcon
  • Consumerism :: Poem
  • Condemns Khamenlok Killings
  • Humble Appeal to All Concerns
  • Envious of the Chief Minister
  • Delivering a powerful point
  • Catholic Valley Schools Sports #1: Gallery
  • When the extraordinary becomes ordinary
  • The Map We Chose :: Poem
  • Dhakeswar Potsangbam : ToI Wellness Award
  • Nigeria calls on world to turn AMR pledges
  • Understanding the pressure students face
  • Training on Mushroom at Khagempali
  • Pointing finger of accusation
  • Digital Revolution & MK Binodini Devi
  • Exploring The Vanishing Self #15
  • Letter From A Lost Crony :: Poem
  • Procedural lapses in dismissal of Dr Bimol
  • Manipur Sanaleibak (The Golden land)
  • Training on Seismic Hazard @MU
  • 2026 edition of Hnahsin Kut
  • Oncology & Neurosurgery OPD launched
  • Yaoshang Thabal Competition #5: Gallery
  • Orchids of Manipur
  • Pharmacists: A misunderstood profession
  • Vision Service Week at Ibotonsana School
  • Drone Tech Bootcamp at NIT Meghalaya
  • Athokpam Krishnakanta : World 2% Scientist
  • No Solution Without Identifying "Kuki"
  • Stands in Solidarity with Prof Bimol
  • Taking the idea of Manipur to Senapati
  • Yumjao Lairembi Haraoba #3: Gallery
  • 'Enoong Ngallamdai' :: Movie Review
  • VanDyke Release: Diplomacy or US pressure
  • Mental Health Awareness at High Court
  • 2026 NAMA Research Grant [Upd]
  • Fermented food for beauty
  • Mizoram Targets 5-7% Tourism Share
  • The hills continue to burn
  • Hearthside Story of Naothingkhong #2
  • Between Delhi Power & Valley's Protagonists
  • The Zeliangrongpui at a crossroad
  • Mushroom Cultivation Training at Konthoujam
  • Break from within :: Poem
  • White Canes to Govt Ideal Blind School
  • Concerned: Conflict - Yimkhiung & Tikhir
  • Mizoram Travel Fest 2026
  • Condolence : Kh Armstrong Charang
  • Turning Imphal into a dumping site
  • Sushila & Bichu @Airport #2: Gallery
  • When prime-time spectacle replaces priorities
  • For a new world organization for peace
  • Intl Day for Disaster Risk Reduction @MTU
  • Solidarity with Professor Angomcha Bimol
  • Intl Day for Disaster Reduction @Wangkhei
  • Condemns Barbaric Killings
  • Schools, roads, power & water supply
  • 'Meeyamgi Khollao Khongchat' #2 : Gallery
  • RIST Talk #76: Gravitational-Wave
  • Breast cancer month, October, 2026
  • Free Screening of "Ishanou"
  • Unlocking potentials of 7 horticultural crops
  • Skies and me :: Poem
  • Eramdam hanna kanbiyu
  • The hills, the SoO camps
  • Mera Chaorel Houba @ Kangla #1 : Gallery
  • China's Mayor Economy
  • My muse :: Poem
  • Condemns Killings & Beheading of Civilian
  • Who doesn't do Vote Chori ?
  • EZE Perfumes Enters Northeast
  • One to one meet with PM
  • Exploring The Vanishing Self #14
  • 61st Hunger Marchers' Day #3 : Gallery
  • Humlennganba, Saka : Eming
  • Two interviews, one empty table
  • A landscape of silence :: Poem
  • NSS Runathon for Peace 2026
  • Gender equality- central to diplomatic leaders
  • Manipuri Calendar for year 2027 : Download
  • Meiteilon not Tibeto-Burman language: Rvw
  • Visit to George Gordon's tomb at Canchipur
  • Anandkumar Naorem: World Top 2% Scientist
  • Protect the hills to protect the valley
  • Call for Papers on Manipuri Pony
  • Ashok Singhal Ji - A Karmayogi
  • Addressing the basics of life
  • 228th Bheigyachandra @Nabadwip #1: Gallery
  • Wildlife Week Celebration at Thanga
  • Evolving women's role in Manipur tourism
  • Where do we go from here ?
  • Training Programme on Mushroom
  • Festival look for Navratras
  • Condolence : Demise of Adino Phizo
  • Significant Delhi invite to 3 leaders
  • Heterogeneous Structure of Meitei Society
  • Concert @ 18th Orange Fest #1: Gallery
  • When water management was Statecraft
  • Who switched off the respect :: Poem
  • All is not yet lost for Manipur
  • Wildlife Conservation: Securing the Future
  • Exam : Post of Under Secretary (Law)
  • Understanding narco-terrorism
  • 1500 Burma Refugees Families in 1968-1973
  • 17th World Bamboo Day : Gallery
  • Land affected families: NH-202 in Ukhrul
  • Training Programme on PCB Repair
  • World Habitat Day 2026
  • AMR survivor & WHO call to protect medicines
  • Cut fuel taxes, not food
  • Creating chaos on roads of Imphal
  • Sushila & Bichu @Airport #1: Gallery
  • Manipuri Pony: Case for Animal Science Univ
  • Hemp plant for sustainable textile & Manipur
  • Flame of the lamp & our cultural sensibility
  • Without you :: Poem
  • Welcomes Lalremsiami, Lalthantluangi
  • On the growing roadside eateries
  • Naga Peace Process: Indo-Naga Talk: Timeline
  • 36 Names: Manipur at the Asian Games
  • Abok Ki Singju to Premiere
  • A vision fragmented by corruption :: Poem
  • Gandhi Ji's 3 monkeys and Manipur
  • AI-powered X-Rays are helping find TB
  • Mizoram Reward Lalremsiami, Lalthantluangi
  • 15 years in power Vs 10 years in power
  • Exploring The Vanishing Self #13
  • US-Manipur Digital Archiving Workshop
  • 8th Cultural/ Freshers' Meet for Rongmei
  • The Same Smoke :: Poem
  • Supriya looks at HYROX World C'ships
  • AI4SEVA Hackathon @IT SEZ, Mantripukhri
  • 38th Foundation Day- NIELIT Imphal #2
  • Heikru Hidongba @Bijoy Govinda : Gallery
  • Manipur's Indigenous Natural Farming System
  • Basic human needs a struggle for Sinakeithei
  • Demise of Pame, Marinmai, Lianvela
  • When I met the pugilist Sarita
  • 38th Foundation Day of NIELIT Imphal #1
  • Mizoram's Anthurium Festival Returns
  • Poll fever seems to be catching up
  • My attempt - Meiteilon is not Tibeto-Burman
  • XXXII National Thang-Ta C'ship concluded
  • One Village One Product: A better alternative
  • When machines can answer, who will judge ?
  • Explain motive- Tronglaobi Terror Attack
  • Merger of 5 elected members of NPP
  • Namghar Unites Assam & Maharashtra
  • Trade and commerce : In a limbo
  • 130th Irawat Anniversary : Gallery
  • Lamyanba Irabot Day at Itanagar
  • Irabot's Ideals Remembered at Mumbai
  • Coffee as a sustainable alternative to poppy
  • Her Godname :: Poem
  • Polyendocrine Metabolic Ovarian Syndrome
  • Rejoinder to NPCC
  • Need to get priorities right
  • Irawat and Meetei National question
  • XXXII National Junior Thang-Ta C'ship
  • World Heart Day 2026: Don't miss a beat
  • Science in everyday life
  • Nature Education Workshop
  • Rejoinder to Dr S C Jamir
  • Daslakshan Mahaparva: Festival of 10 supreme
  • Focus back on SoO camps
  • Raengdai Vs NEROCA : Durand Cup : Gallery
  • October Calendar for Year 2026 : Tools
  • Lebensraum or ethnic cleansing
  • World Alzheimer's Day 2026
  • Sensitization Workshop on POSH
  • Mourns Passing of Aribam Shantimo
  • Lecture on 'Indigenous Knowledge Systems'
  • Rejects allegations by NPCC President
  • The narrative Manipur needs
  • Tour Diaries of Maxwell & Higgins #2
  • Laitonjam Rishikanta @ Asian Bodybuilding
  • First poster of Interlude released
  • In the womb of time :: Poem
  • Running an abnormal State
  • Khunung Eshei & Mukna competitions
  • Conference: Challenge in Sustainable Science
  • Rolling back the highway blockade
  • Exploring The Vanishing Self #12
  • Manipur Mesopotamia Force WWI : Gallery
  • PhD in Manipur : Fund it, Fix it
  • Many Voices, One State: Manipur's dilemma
  • Me and Moon: Both do the night shift : Poem
  • Putting rights: Body autonomy & sexual health
  • Green Tea for beauty
  • Yaoshang Thabal @Khurai #2: Gallery
  • AI = Arangpham Intelligence, the Frankenstein
  • World Pharmacists' Day 2026
  • Tapes of 1979 Film 'Ashroy' Discovered
  • From Pangaea to the unpredictable Earth
  • In a Crooked Room :: Poem
  • Debt recovery should be done, but within law
  • Regionalism : New political flavour
  • Chali-Saba - Kang Ningol Palli #1: Gallery
  • Book Release: Exploring The Vanishing Self
  • The Echo After Forever :: Poem
  • The paradox of Kukiland
  • Dr Wairokpam Yaiphaba : Fulbright Fellowship
  • Essay, Painting & Speech Competitions
  • Manipur : Mixture of opposites
  • Naothingkhong & Pitanga #1: Hearthside Story
  • Meiteilon is still not a Tibeto-Burman language
  • 52nd Foundation Day of AMWJU : Gallery
  • The chokehold on Manipur's potential
  • Another Langban has com :: Poem
  • Ageing needs a gendered human rights
  • Mizoram's 2026 festival season opened
  • Inspect the SoO camps
  • 61st Hunger Marchers' Day #2 : Gallery
  • lEkoLdugi warisiH :: Seireng
  • Can Strong Anti-Racism Law save NE Indians
  • Before Building a Viksit Bharat, Learning
  • Quality planting for Pineapple & Banana
  • Seminar: Career Options in Life Sciences
  • Fitclass Gym Moti Nagar Opens
  • Burning hills of Manipur
  • Culturals @Beating of Retreat #4 : Gallery
  • Justice for 6 Liangmai Nagas #2 : Gallery
  • 17th World Bamboo Day 2026
  • 12th Manipur Legislative Assembly : Gallery
  • The 731, and those who may follow
  • Exploring The Vanishing Self #11
  • Little Flower School, 1973 batch : Gallery
  • Bichu Kharibam: FIH Magic Skill Award
  • Tour Diaries of Maxwell & Higgins #1
  • Ningol Phida - Shumang Leela #2 : Gallery
  • Study: Social Worker on Counselling Practice
  • India-Myanmar boundary : Mistakes of 1967
  • Radio E-pao: 5 new songs updated
  • Chiru Maroi : Scientific Documentation
  • Academic Administration Course @MU
  • To our star Tamo Vicky, Vikram Chongtham
  • Vice President visited Manipur : Gallery
  • Langban Tha Katchaba @Haying #1 : Gallery
  • Hiring @ 4-Star Hotel in Udupi
  • Ibudhou Pakhangba Haraoba #1 : Gallery
  • Protest by Researchers @DM Univ : Gallery
  • Meitei Esei
  • US Ambassador @ CM Mantripukhri : Gallery
  • Chongtham Vikram: Delhi Cannot Explain Away
  • A teacher does not leave when his classroom
  • 'Meeyamgi Khollao Khongchat' #1 : Gallery
  • Candle Light- Chongtham Vikram : Gallery
  • Manipuri Pony Heritage Talk to Students
  • Colonial records: Hill Areas, 1891-1947
  • Joint Resolution: Abrogation of SoO
  • Elimination of Racial Discrimination
  • Justice for 6 Liangmai Nagas #1 : Gallery
  • Manipur Can Simply Be Manipur
  • PhD Admission at Assam University
  • Teachers' Day Celebration : Gallery
  • Census 2027 for Manipur deferred
  • Read Meitei Mayek news in romanized English
  • 24-hour Gen Strike (Sep 1) : Gallery
  • Panthoibi Anoi Khuthek #1 : Gallery
  • 48-hour General Strike by JFD #3 : Gallery
  • The flame of Haipou Jadonang
  • Kang Khichri Chaba #2 : Gallery
  • Relevance of NRC, 1951 for immigrants
  • Featured Front Page Photo 2026 #4: Gallery
  • The King Who Caught a Bird : Konthoupa
  • Meira Rally 'No NRC, No Census' : Gallery
  • 48-hour General Strike by JFD #2 : Gallery
  • 35th Manipuri Language Day, 20 August
  • The chappals we leave behind
  • Search 25 years of e-pao.net
  • Colonial Knowledge Production in NE India #23
  • 360° panoramic view of spots in Manipur
  • Final Merit List : Manipur Civil Services 2022
  • PUCL Tribunal report: A shadow of partiality #3
  • PUCL Tribunal report: A shadow of partiality #2
  • PUCL Tribunal report: A shadow of partiality #1